(Born 1955) Yves Swolfs - Biography
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Yves Swolfs

Yves Swolfs (Born 1955) is known for Comics.

Inspired by the first westerns of Sergio Leone, Yves Swolfs (born in 1955) imagines the Durango series in 1980, the story of a lonely cowboy turned pistolero by force of circumstances. Having lost the use of his right hand, Durango has become accustomed, over albums, to compensate for his handicap by the use of automatic weapons. Usually equipped with a Mauser C96, it is armed with a machine gun that the "peacemaker" fights furiously alongside the Mexican revolutionaries. A paroxistic sequence, where the artist takes a certain pleasure to put in front of the stage this instrument of death, whose coppery highlights are detached in the bluish atmosphere.

Artist auction records

.  askART's database currently holds 152 auction lots for Yves Swolfs (of which 112 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

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Research resources

.  askART lists Yves Swolfs in 0 of its research Essays. Yves Swolfs has 0 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Yves Swolfs available:    Juillard,  Gilbert Gascard Tibet,  William Vance,  Jije,  Rene Follet,  Eddy Paape,  Herman Huppen,  Jean Roba,  Michel Blanc-Dumont,  Jean Claude Fournier,  Greg,  Frank Le Gall,  Dany,  Marcel Gotlib,  Raymond Macherot,  Jacques Tardi,  Maurice Tillieux,  Max Mayeu Sirius,  Jacques Martin,  Francois Walthery,  Albert Weinberg,  Andre Franquin,  Pierre Culliford Peyo,  Philippe Berthet



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Facts about Yves Swolfs

Inspired by the first westerns of Sergio Leone, Yves Swolfs (born in 1955) imagines the Durango series in 1980, the story of a lonely cowboy turned pistolero by force of circumstances. Having lost the use of his right hand, Durango has become accustomed, over albums, to compensate for his handicap by the use of automatic weapons. Usually equipped with a Mauser C96, it is armed with a machine gun that the "peacemaker" fights furiously alongside the Mexican revolutionaries. A paroxistic sequence, where the artist takes a certain pleasure to put in front of the stage this instrument of death, whose coppery highlights are detached in the bluish atmosphere.

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