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Tien Chung Nguyen

Tien Chung Nguyen (1914 - 1976) was active/lived in Viet Nam, Asia.  Tien Nguyen is known for Painting.

Born in 1911, Nguy?n Ti?n Chung graduated from the School of Fine Arts of Indochina in 1941 in promotion XI: that of two other specialists in sanded lacquer, Nguy?n Van T? and especially Hoàng Tích Chù. With the latter, Nguy?n Ti?n Chung collaborated fruitfully upon obtaining his diploma in a common workshop to create in 1941 a series of large decorative lacquered screens and panels, often intended for the colonial elite and influenced by the aesthetic codes of the Art Deco period. Particularly versatile from a technical point of view, the artist is equally at ease with oil and lacquer, and is also brilliant in the technique of painting on silk. Nguy?n Ti?n Chung was often described by Vietnamese historiography as representative of the “national style” because he was attached to describing villagers, soldiers and workers according to criteria close to current socialist realism, to which he was able to bring a look always tinged with humanism. This view of the Th?y pagoda, signed with t   ...  [Displaying 1000 of 2129 characters.]  Artist bio

Artist auction records

.  askART's database currently holds 25 auction lots for Tien Chung Nguyen (of which 19 auction records sold and 0 are upcoming at auction.)

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Similar artists

.  There are 24 similar (related) artists for Tien Chung Nguyen available:    Pham Hau,  Tran Phuc Duyen,  Henri Mege,  Nguyen van Trung,  Nguyen Tu Nghiem,  Xuan Phai Bui,  Joseph Inguimberty,  Haji Widayat,  Alix Ayme,  Mai Trung Thu,  Hendra Gunawan,  Chang Yu Sanyu,  Ronald Ventura,  Gede Mahendra Yasa,  Kusama Affandi,  Arie Smit,  Adrien Jean Le Mayeur de Merpres,  Vu Cao Dam,  Auke Cornelius Sonnega,  Antonio Maria Blanco,  Le Pho,  Soo Pieng Cheong,  Shrihadi Soedarsono,  Manfong Lee



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Facts about Tien Chung Nguyen

Born in 1911, Nguy?n Ti?n Chung graduated from the School of Fine Arts of Indochina in 1941 in promotion XI: that of two other specialists in sanded lacquer, Nguy?n Van T? and especially Hoàng Tích Chù. With the latter, Nguy?n Ti?n Chung collaborated fruitfully upon obtaining his diploma in a common workshop to create in 1941 a series of large decorative lacquered screens and panels, often intended for the colonial elite and influenced by the aesthetic codes of the Art Deco period. Particularly versatile from a technical point of view, the artist is equally at ease with oil and lacquer, and is also brilliant in the technique of painting on silk. Nguy?n Ti?n Chung was often described by Vietnamese historiography as representative of the “nat  ...  Displaying 750 of 2129 characters.

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