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Federico Moja

Federico Moja (1802 - 1885) was active/lived in Italy, France.  Federico Moja is known for Large scale building church painting, urban views, teaching.

Federico Moja (October 20, 1802 – March 29, 1885) was an Italian painter, known best for his vedute and views of interior architecture. Born in Milan into a family of artists, Moja began studying at the Brera Academy of Fine Arts in 1818 and became a pupil of Giovanni Migliara at the same time.

His early work is characterized by perspective urban views, monastery interiors and subjects of a historical and literary nature addressed in strict accordance with his master’s teachings. A stay in Paris and trips to France between 1830 and 1834 provided new subjects, including the church of Saint Germaine that were painted repeatedly, sometimes at intervals of many years.

In 1841, when Luigi Bisi established his position on the Milanese art scene, Moja moved to Venice, where he was appointed professor of perspective at the Academy of Fine Arts in 1845. He replaced Tranquillo Orsi at that position.

He began to specialize in vedute of Venice and cities in the Venet   ...  [Displaying 1000 of 1836 characters.]  Artist bio

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Similar artists

.  There are 24 similar (related) artists for Federico Moja available:    Luigi Querena,  Ercole Gigante,  Vincenzo Caprile,  Ippolito Caffi,  Odoardo Borrani,  Achille Formis Befani,  Guglielmo Ciardi,  Consalvo Carelli,  Gerolamo Induno,  Giuseppe Giardiello,  Giuseppe Casciaro,  Leonardo Bazzaro,  Giacinto Gigante,  Giovanni Fattori,  Antonietta Brandeis,  Emma Ciardi,  Allessandro Volpe,  Telemaco Signorini,  Raffaello Sorbi,  Henri Duvieux,  Bernardo Hay,  Oswald Achenbach,  Hermann David Salomon Corrodi,  Andreas Achenbach



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Facts about Federico Moja

Federico Moja (October 20, 1802 – March 29, 1885) was an Italian painter, known best for his vedute and views of interior architecture. Born in Milan into a family of artists, Moja began studying at the Brera Academy of Fine Arts in 1818 and became a pupil of Giovanni Migliara at the same time.

His early work is characterized by perspective urban views, monastery interiors and subjects of a historical and literary nature addressed in strict accordance with his master’s teachings. A stay in Paris and trips to France between 1830 and 1834 provided new subjects, including the church of Saint Germaine that were painted repeatedly, sometimes at intervals of many years.

In 1841, when Luigi Bisi established his position on the Mila  ...  Displaying 750 of 1836 characters.

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