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Bruno Innocenti

Bruno Innocenti (1906 - 1986) was active/lived in Italy.  Bruno Innocenti is known for Sculpture.

Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic phase.

Innocenti was a favorite pupil of Libero Andreotti, and in 1933 his successor to the Chair of Sculpture at the State Art Institute of Porta Romana (Florence). Innocenti had made his big debut in the genre of the statuary of the female figure with Margherita, 1926, a standing figure still unripe and mindful of the examples of the Master, and then with Lilia, 1929, Lilia nude, 1930, Giuditta, 1936, Madanda, 1935, and the great ebony Erinni, 1935.

Artist auction records

.  askART's database currently holds 70 auction lots for Bruno Innocenti (of which 52 auction records sold and 0 are upcoming at auction.)

Artist artworks for sale and wanted

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Research resources

.  askART lists Bruno Innocenti in 0 of its research Essays. Bruno Innocenti has 0 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Bruno Innocenti available:    Raffaello Arcangelo Salimbeni,  Quinto Martini,  Guido Peyron,  Achille Lega,  Osvaldo Medici Del Vascello,  Elisabeth Chaplin,  Carlo Passigli,  Filli Levasti,  Ugo Capocchini,  Libero Andreotti,  Edoardo Gordigiani,  Valentino Ghiglia,  Giovanni March,  Cesare Ciani,  Benvenuto Benvenuti,  Giovanni Colacicchi,  Anacleto Nino della Gatta,  Giulio Salti,  Oscar Ghiglia,  Luigi Gioli,  Cafiero Filippelli,  Ugo Manaresi,  Pietro Senno,  Baccio Maria Bacci



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Facts about Bruno Innocenti

Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic phase.

Innocenti was a favorite pupil of Libero Andreotti, and in 1933 his successor to the Chair of Sculpture at the State Art Institute of Porta Romana (Florence). Innocenti had made his big debut in the genre of the statuary of the female figure with Margherita, 1926, a standing figure still unripe and mindful of the examples of the Master, and then with Lilia, 1929, Lilia nude, 1930, Giuditta, 1936, Madanda, 1935, and the great ebony Erinni, 1935.

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