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Enrico Prampolini

Enrico Prampolini (1894 - 1956) was active/lived in Italy.  Enrico Prampolini is known for Futurist abstract painting, aerial landscapes and figuration.

Biography photo for Enrico Prampolini
Enrico Prampolini (20 April 1894, Modena - 17 June 1956, Rome) was an Italian Futurist painter, sculptor and scenographer. He assisted in the design of the Exhibition of the Fascist Revolution* and was (like Gerardo Dottori) active in Aeropainting* or visual images of aerial landscapes as subject matter.

He pursued a programme of abstract* and quasi-abstract painting, combined with a career in stage design. His Spatial-Landscape Construction (1919) is quasi-abstract with large flat areas in bold colours, predominantly red, orange, blue and dark green. His Simultaneous Landscape (1922) is totally abstract, with flat colours and no attempt to create perspective.

In his Umbrian Landscape (1929), produced in the year of the Aeropainting Manifesto, Prampolini returned to figuration, representing the hills of Umbria.

But by 1931 he had adopted "cosmic idealism", a bio-morphic abstractionism quite different from the works of the previous decade, for   ...  [Displaying 1000 of 1425 characters.]  Artist bio

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Similar artists

.  There are 24 similar (related) artists for Enrico Prampolini available:    Mario Radice,  Tullio Crali,  Gerardo Dottori,  Fortunato Depero,  Mino delle Site,  Alessandro Bruschetti,  Fillia,  Manlio Rho,  Giovanni Korompay,  Cesare Andreoni,  Osvaldo Peruzzi,  Julius Evola,  Italo Ferro,  Ernesto Thayaht,  Anton Mahringer,  Atanasio Soldati,  Giulio D'anna,  Antonio Marasco,  Ivo Pannaggi,  Vittorio Corona,  Uberto Bonetti,  Giacomo Balla,  Guglielmo Tato Sansoni,  Ugo Pozzo



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Facts about Enrico Prampolini

   Enrico Prampolini  Born:  1894 - Modena, Italy
Died:   1956 - Rome, Italy
Known for:  Futurist abstract painting, aerial landscapes and figuration

Enrico Prampolini (20 April 1894, Modena - 17 June 1956, Rome) was an Italian Futurist painter, sculptor and scenographer. He assisted in the design of the Exhibition of the Fascist Revolution* and was (like Gerardo Dottori) active in Aeropainting* or visual images of aerial landscapes as subject matter.

He pursued a programme of abstract* and quasi-abstract painting, combined with a career in stage design. His Spatial-Landscape Construction (1919) is quasi-abstract with large flat areas in bold colours, predominantly red, orange, blue and dark green. His Simultaneous Landscape (1922) is totally abstract, with flat colours and no attempt to create perspective.

In his Umbrian Landscape (1929), produced in   ...  Displaying 750 of 1425 characters.

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